Xylography fashion by Joaquin Aroztegui, 1967 - Club de Grabado de Montevideo, Urugua
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We reconfigured the shipments, with the rate of the "Uruguayan Mail" in modality "registered mail" (to United States U$14, Europe U$19).
If you are in a hurry, we can also send with "DHL Express" (to United States U$38 and Europe U$42) and you will receive it in a week or less, just write me before buying.
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Thanks so much for stopping by! We sell only original prints.
"ESTUDIO" (Study)
By JOAQUIN AROZTEGUI
July, 1967
Technique: Xylography
Overall size: 40 x 29 cm.
This one is in good vintage condition, with water marking and stains on edges.
As with any vintage prints, please review the photos carefully before you buy, and use the 'zoom' button at the bottom of the picture for an enlarged view.
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Don't miss to see more than 100 original prints, engravings, serigraphs, linoleums from the "Club de Grabado de Montevideo" that I have available in this section of my store: https://etsy.me/38UV8XL
This section is permanently updated.
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It is available in my shop, another engraving identical to this one with a lower price, but in not so good conditions. You can check it here: https://www.etsy.com/sg-en/your/shops/VintageInSpanish/tools/listings/stats:true/609328744
As with any vintage prints, please review the photos carefully before you buy, and use the 'zoom' button at the bottom of the picture for an enlarged view.
Joaquin Aroztegui (January 18, 1943. Tacuarembó, Uruguay).
PLASTIC ARTIST; PAINTER, ENGRAVER AND TEACHER.
Always resides in La Paz (except for 10 fashion years in Las Piedras), Canelones.
FORMATION
1955 - Begins to paint under the guidance of Ruben Sarralde, an artist from that town.
Exhibits for the first time in 1959 at the San José Salon.
1959-61 - Workshop Torres García; courses with Guillermo Fernández and punctually with José Gurvich.
1962 - begins to work with Jorge Nelson Gonzalez, an outstanding figure of the "Prevosti circle". He is linked to older masters, coming from that tendency. With many of them he begins an intense activity that lasts until the institutional break.
1972-1975 The social/political situation inhibits him from public artistic activities. He will remain "banned" until 1984, away from exhibitions and contests. However, he manages to infringe the "legal" dispositions on several occasions (although with little repercussion).
1976 - Guillermo Fernandez's workshop.
1980 - Artistic Anatomy, with the French master Bernard Bistes.
1991 - Seminar (master class) with Steven Farthing (Director of the Ruskin School of Fine Arts, Oxford University).
STUDY TRIPS
Sao Paulo; Campinas, Valinhos; Porto Alegre; Brazil (several from 1980).
La Paz and Oruro, Bolivia (1992)
Mexico (1997)
Tegucigalpa and Copan, Honduras (1999)
Madrid, Segovia and Toledo, Spain (2000)
Washington; USA (2003)
More info at: https://joaquinaroztegui.jimdofree.com/ (in spanish)
Translated with www.DeepL.com/Translator (free version)
This one is of the monthly prints by the Club de Grabado de Montevideo (CGM)
Club de Grabado de Montevideo (Engraving Club of Montevideo) was a non-profit Uruguayan cultural institution dedicated to the production and promotion of engraving. Created in 1953 in Montevideo, it developed 50 years of activity. (Wikipedia)
https://es.wikipedia.org/wiki/Club_de_Grabado_de_Montevideo (written in spanish)
You can read more about the Club de Grabado de Montevideo:
1) "CGM" Catalog edited by the Cultural Centre of Spain, (CCE, Centro Cultural de España) some articles in english, full of images.
http://archivo.cce.org.uy/images/stories/mediateca/publicaciones_cce/CATALOGO-CGM.pdf
2) "The Club de Grabado de Montevideo" article by Georgia Phillips-Amos unearths printmaking under the dictatorship, in the book "Signal: 05: A Journal of International Political Graphics & Culture"
Paperback – September 1, 2016 by Alec Dunn (Editor), Josh MacPhee (Editor)
https://www.amazon.com/Signal-Journal-International-Political-Graphics/dp/1629631566#reader_1629631566
Ships to you in a protective sleeve inside a rigid mailer.
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